1 100 25 https://manuscriptleaves.watzekdi.net/files/original/fd86724f2023976fa6366600554f017e.pdf 72ef24cc94d43e594e9d2090f6335482 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance Origin of the manuscript/approximation of when the manuscript may have been produced This leaf is from a Book of Hours made for Sir John Fastolf in Rouen. He likely owned the manuscript after he retired from military service in 1440 (Jokinen). This manuscript was most likely done by (or in the style of) the Fastolf Master who worked mostly in Rouen (Pirages). The Fastolf Master likely studied under the Bedford Master as well as the Boucicaut Master due to the similarities between layout, script, and very similar vine work and leaf shape within these vines. The manuscript was most likely produced around 1440, for the Fastolf Master was active during this time. While the computer-printed sticker placed on the manuscript by an archivist claims that the manuscript was created in Rouen, France, the work could have also been created in England, where the Fastolf Master fled before the surrender of Rouen to the French in 1449 ("Master of Sir John Fastolf"). If it was created in England, the manuscript would be dated around 1450 instead of around 1440. This leaf is now part of Lewis & Clark College's collection "History of the Book: Leaf Collection, 1250-1939" in the Special Collections and Archives of Aubrey R. Watzek Library in Portland, Oregon. The leaf was acquired in 2013, bought from Phillip J. Pirages. Contents Information derived from the manuscript and identification ff. 1r: ll. 1-7 Psalm 39 Begins: magnificetur dominus qui diligunt sa|lutare Ends: es deus meus ne tarda|veris. ll. 7-9 Complaceat tibi domine ut | eruas me domine ad adiuvandum | me respice. ll. 9 ante § ana domine psalmus. | ll. 10-16 Psalm 40 Begins: Beatus qui intelligit super | egenum Ends: tradat eum in animam | inimicorum eius. | ff. 1v: Psalm 40:4 through 40:8 ll. 1-16 Begins: Dominus opem ferat illi super | lectum Ends: adversum me | cogitabant mala mihi. | This leaf is a leaf from a Book of Hours. Material Materials of which the leaves are made Membrane Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 179 x 139 mm (100 x 68 mm) No visible signs of cropping. Catchwords Usually written very small in the bottom right-hand corner on the recto-side, catchwords are the first, second, or third words that start off the next column that starts a new gathering. (Which makes them helpful for determining the collation of a manuscript I believe) These were included to aid in compiling the manuscript in the proper order. (See Karen's sheet for proper formatting) ff. 1v: "86 ST11O66-86" is penciled into the lower left-hand corner. Because this is written in a modern hand, a pencil was used, and its serial number quality suggests that it was written by the seller of this leaf. In the center of the lower margin, there is also a penciled price ("$325—"). Pricking and Ruling If the sheets have been pricked and ruled, try to detect the instruments that were used and the practices involved. Note any significant variations in pricking and ruling from quire to quire. (See Karen's sheet for full description) Ruled frame dimensions: 100 x 68 mm The ruling seems to have been done with a compass due to the thin, light, pencil-like lines. There are no visible pricking holes. ff. 1r: Writing begins below the top line, writing is on the line Decoration remains to the left of the left margin One column, 16 lines ff. 1v: Writing begins below the top line, writing is on the line One column, 16 lines Handwriting ff. 1r: ff. 1r appears to be uniform until ff. 1r lines 7-9, where the text becomes lighter and smaller than the previous lines or those following. The text resumes its appearance from ff. 1r lines 1-6 in lines 10-16. ff. 1v: ff. 1r lines 1-8 are slightly than ff. 1r lines 9-16, for lines 1-8 are written in lighter ink and have more space between letters than lines 9-16. There is also a difference in letters such as "a" in that in lines 1-8, the head of the "a" remains detached from the rest of the letter, whereas in lines 9-16, the head of the "a" attaches to the curve (there seems to be less biting of bows). However, the bows of letters such as "d" and "o" bite in the upper half. ff. 1r and ff. 1v: The leaf as a whole appears to be written in Gothic Textualis Quadrata due to the consistently applied feet to the minims (as demonstrated in Plate 29 of Michelle Brown's A Guide to Western Historical Scripts from Antiquity to 1600). The text as a whole is of high grade and very good quality. There is a regularity and rhythm to the script as well as a pronounced biting of bows. The script follows the model of Gothic Textualis by demonstrating a very compressed and vertical script with angular letters. Gothic hands such as this moreover demonstrate the return to the Uncial "d" as well as use of the short "s" if it is at the end of a word rather than a tall "s," which is still used inside a word. Brown's Plates 28-32 exemplify these general characteristics of Gothic Textualis script. Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) ff. 1r: The text on this page is arranged in a single column within the ruled frame of sixteen lines. The text is set slightly left of the center, leaving the margins on all four sides wide. The left margin is dominated by a decorative vine that runs along the length of the ruled frame of the text. Line endings that do not reach the right end of the ruled frame are extended to the right by blue, red, and gold painted bars that fill this extra space. These line-fillers occur at the right ends of lines two and sixteen. Versals are present on the left side of the third, fifth, tenth/eleventh, and thirteenth lines. There is a paraph (§) in line nine after "ante" marked in red and before "ana domine psalmus|" which marks the beginning of Psalm 40. On the tenth line, the versal takes up the start of two lines for it marks the beginning of Psalm 40 with a more elaborate capital "B" in "Beatus." The script is uniform throughout, save for the versals. ff. 1v: The initials (litterae notabiliores) beginning lines one, four, six, nine, twelve, and fourteen are illuminated with red and blue pigments as well as gold leaf. In line one, "D" is lettered in gold leaf on a blue background and red filling; both blue and red pigments are highlighted by thin white patterns within them. In line four, "E" is lettered in gold leaf on a red background and blue filling; the blue filling is accented by white dots. In line six, the "I" is lettered in gold leaf. If one thought of the entire initial as a ticket, the left side and section under the feet of the "I" would be the sections colored red, while the right side and section above the head of the "I" would be colored blue; both pigments contain thin white designs within them. In line nine, the "E" follows the same design as the "E" in line four. In line twelve, the "E" is lettered in gold leaf on a blue background and filled with red; both pigments are highlighted with white patterns. In line fourteen, the "A" is lettered in gold leaf on a red background with blue filling and blue tips on the right side of the shape of the initial as a whole; the blue filling contains thin white patterned lines. There are bar-shaped line-fillers decorated with blue and red pigments as well as gold leaf at the right ends of lines eight, eleven, thirteen, and sixteen. In line eight, the bar is seems to consist of four segments, colored (from left to right) blue, red, blue, blue. The segments are separated by gold leaf shapes (from left to right) shaped like a nail with the tip pointing right, a circle, and another nail with the tip pointing right. Within the blue and red segments are white lines forming triangular patterns. In line eleven, the bar is split into a blue segment and red segment; both contain white lines forming wave patterns and the two are separated by gold leaf the shape of a circle. In line thirteen, the bar is divided by thirds (blue, red, blue) which are separated by smaller gold leaf bars pointed down diagonally to the right; the blue and red sections are lined with white triangle patterns. In line sixteen, the bar is formed from a blue section and red section separated by a gold leaf triangle pointed upwards; the blue segment has a white-lined wave pattern. Abbreviation ff. 1r: ds d(omin)us diligt diligu(n)t ā a(ut) de d(omi)ne a an(te) psal psalm(us) e eu(m) ī i(n) aīam a(n)i(m)am ff. 1v: ₽ p(er) e ei(us) miser`e miserere aīam a(n)i(m)am qչ q(uoniam) . t(ibi) dixert dixeru(n)t advers adversu(m) Punctuation ff. 1r: A simple punctus is used to indicate the end of a sentence. There is a paraph (§) in line 9. ff. 1v: A simple punctus is used to indicate the end of a sentence. Correction This leaf contains no evidence of correction. Marginalia ff. 1r: The only shape present in the margin is the vine (see "Decoration") in the left margin connecting to the initials of the text. ff. 1v: There is no marginalia present. Date c. 1440 This date is suggested because if Sir John Fastolf is the original owner, he would have had the book made after he retired from military service around 1440. The Fastolf Master, being the supposed creator of this book, was also active during this time, supporting the inference that this manuscript was created around 1440. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced This leaf is from a Book of Hours made for Sir John Fastolf in Rouen. He likely owned the manuscript after he retired from military service in 1440 (Jokinen). This manuscript was most likely done by (or in the style of) the Fastolf Master who worked mostly in Rouen (Pirages). The Fastolf Master likely studied under the Bedford Master as well as the Boucicaut Master due to the similarities between layout, script, and very similar vine work and leaf shape within these vines. The manuscript was most likely produced around 1440, for the Fastolf Master was active during this time. While the computer-printed sticker placed on the manuscript by an archivist claims that the manuscript was created in Rouen, France, the work could have also been created in England, where the Fastolf Master fled before the surrender of Rouen to the French in 1449 ("Master of Sir John Fastolf"). If it was created in England, the manuscript would be dated around 1450 instead of around 1440. This leaf is now part of Lewis & Clark College's collection "History of the Book: Leaf Collection, 1250-1939" in the Special Collections and Archives of Aubrey R. Watzek Library in Portland, Oregon. Paul Merchant generously donated this leaf to the college in 2011. Heading Place, Repository/Owner, Name of Collection, Shelf-Mark/Call-Number Portland, Lewis & Clark College, Special Collections, 4.1 Leaf from a Book of Hours made for Sir John Fastolf, Rouen c. 1440 Object Number 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 1 Language A language of the resource Latin Description An account of the resource Leaf from a Book of Hours of Sir John Fastolf https://manuscriptleaves.watzekdi.net/files/original/e1d20f2cb676f957092c596c2eef7bf7.pdf ff8921c5527634d1cee6b0a38c22d3f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Origin Location where the manuscript was produced Germany Date c. 1450 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 177 x 125 mm (87 x 58 mm) Handwriting Gothic Textualis Material Materials of which the leaves are made Vellum Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) Fol. 1r: 18 lines of text in single column without additional adornment or decoration. The text itself is somewhat off-center and tends towards the left side of the page. Ruling lines have faded in certain areas, but the light brown color of the lines suggests that the scribe used plummet in this process. The parchment is smeared and even torn in certain places around the edge of the manuscript. There are faint green discolorations in the upper right and left corners. Fol. 1v: Same as recto. Marginalia Fol. 1r: The number “14” inscribed in the upper right corner in pencil in modern hand. Fol. 1v: None. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Gift of Paul Merchant, 2011. Object Number 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 2 Description An account of the resource Margaret of Antioch Ms on vellum from a german (?) book of saints’ lives https://manuscriptleaves.watzekdi.net/files/original/51b87d2adccb40458c9705c115f7eeb9.pdf 0e3442e2b983dc0b560f35853000f7de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Origin Location where the manuscript was produced France Date c. 1325 (?) Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 140 x 115 mm (120 x 75 mm) Handwriting Gothic Textualis Rotunda Material Materials of which the leaves are made Parchment Pricking and Ruling If the sheets have been pricked and ruled, try to detect the instruments that were used and the practices involved. Note any significant variations in pricking and ruling from quire to quire. (See Karen's sheet for full description) No visible signs of pricking or ruling save for the eleventh and thirteenth lines of the verso side of the leaf. Below the words on these lines is a very faint horizontal line in pencil/lead that can be most clearly seen when looking at the middle of the page. Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) Fol. 1r: Nineteen lines of gothic text in single column with substantial space between each line; script covers nearly the whole page with small margins on all sides of the column. The upper right corner seems to have been shorn/rounded in some way, with the latter portions of the first and second lines entirely obscured by fire or water damage. Additionally, there is a small tear in this corner which attests to the damage that this manuscript has seen in its lifetime. There are eleven initials total that alternate between blue ink and gold leaf, which are also slightly larger than the remaining text; it is worth noting that each rubricated initial denotes the next line in psalm 70. Heavy browning on the top, bottom, and right sides of the page apparently from the fire/water damage. Fol. 1v: Nineteen lines of gothic text in single column with substantial space between each line; script covers nearly the whole page with small margins on all sides of the column. From the first to eleventh or so lines, much of the text on the left half of the page is unintelligible due to water/fire damage. There are ten initials total that alternate between gold leaf and blue ink. A phrase rubricated in red appears on the twelfth line to indicate the conclusion of Psalm 70. One is able to distinguish a red layer that exactly fits underneath the gold leaf initials; the clearest example of this is the first initial on this page. The binding agent used to facilitate the addition of gold leaf to the folio was often red in hue. Marginalia Fol. 1r: A very faint capital ‘M’ or ‘W’ appears in the upper left corner in pencil composed by a modern hand. In the bottom left corner the following dealer number is written: STI2462-6. To the right of this number at the bottom of the page is the following: $275--. In the upper right and bottom right corners on the page the number 34 is written in a small modern hand in pencil. Fol. 1v: After the rubrication on the twelfth line, the number 71 is written in pencil, apparently to indicate the beginning of the new chapter of the Psalm. Between the seventh and eight lines on the left side of the page is a nearly illegible word or phrase: an annotation from the Middle Ages. I can also identify at least two flourishes that appear around this potential gloss/annotation. In the upper right corner there is also the number 34 with the upper half of the three almost missing due to the damage that this corner suffered. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages c. 2013. Decoration Decoration: Fol. 1r: None. Fol. 1v: 2-line litter notabilior begins Psalm 71. The D is written in gold leaf and is framed by a blue square with white filigree located in the spaces between the D and the edge of the square. Within the space of the letter itself, there is a red background with white small floral designs. The square is accompanied to the left by two red lines with spiraled ends that extend two lines above and below the initial. The initial has faded somewhat over the years, but the bulk of the design and color remain intact. Object Number 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 3 Description An account of the resource Psalms 70-71 Leaf from a Psalter https://manuscriptleaves.watzekdi.net/files/original/89ba0a6576cbfbb9e63130d004f7ea29.pdf 70afa06c1acb9c7567c442a45482be5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Origin Location where the manuscript was produced France Date c. 1325 (?) Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 140 x 115 mm (115 x 75 mm) Handwriting Gothic Textualis Rotunda Material Materials of which the leaves are made Parchment Pricking and Ruling If the sheets have been pricked and ruled, try to detect the instruments that were used and the practices involved. Note any significant variations in pricking and ruling from quire to quire. (See Karen's sheet for full description) One can barely make out thin horizontal white ruling lines below some of the lines towards the middle of the page, but there is no other sign of pricking or ruling beyond this. Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) Fol. 1r: Nineteen lines of gothic text in single column with substantial space between each successive line; colored initials slightly larger than the rest of the text begin each new verse of the psalm and each new sentence. Additionally, the text towards the right of the page on the first through six lines has been damaged significantly. Initials alternate between blue ink and gold leaf. As with this leaf’s companion piece, the raised binding agent for the initials prepared with gold leaf can be seen where some of the gold has faded.. Appears to be the hair side of the folio. Both the upper right and bottom right corners have been torn/damaged significantly, with portions of the text missing as a result. The damage on the bottom right corner is more severe than the upper right corner. Not counting the initials that have been partially destroyed/cleaved, there are eleven total on this side. Fol. 1v: Nineteen lines of gothic text with substantial space between each successive line; colored initials slightly larger than the rest of the text begin each new verse of the psalm and, in the case of psalm 73, each sentence (regardless if it begins a new verse in the psalm or not). There are twelve total initials that alternate between blue ink and gold leaf. As in the recto side of the folio, the first gold initial has suffered significant damage and as a result one notices the binding layer underneath the gold letter. A phrase rubricated in red appears on the eleventh line to indicate the conclusion of Psalm 70. There may be an indication here that the full manuscript was composed by more than one rubricator/scribe. In Item 2 of this collection (the companion piece to this leaf), the same rubrication is present after the conclusion of Psalm 70, but it does not include a period after the letters ps. This small but significant distinction leads me to believe that multiple rubricators/scribes may have worked on this larger manuscript or in the case that there is only one rubricator/scribe, they made a mistake on one of the rubrications. Appears to be the flesh side of the folio. Decoration Decoration: Fol. 1r: None. Fol. 1v: On the twelfth line, the seventh initial on this side has been rendered with significant attention to detail. It comprises two lines and terminates at the top of the fourteenth line. The capital letter ‘U’ is written in gold leaf and is framed by a blue polygon that resembles an oversized ‘L.’ There is a red filled oval constructed between the two stems of the ‘U’ that is filled with intricate white floral designs. There is a small faded filled circle (same color as the oval within the ‘U’) in the upper left corner of the blue polygon; a red flourish with a swirl at its end extends from this circle. A similar blue flourish appears on the bottom right corner of the polygon. Marginalia Fol. 1r: In the bottom left corner the dealer number appears: STI2462-3. To the right of this number is the following: $150. Above the portion of the leaf that has been torn in the bottom right corner is the number 36. This number is replicated in the upper right corner. These pieces of marginalia are all written in light pencil presumably by Pirages. Fol. 1v: In the bottom right corner the letter ‘A’ has been written. It has almost entirely faded. To the right of the rubrication the number 73 is written in pencil to indicate the beginning of the subsequent Psalm. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages c. 2013. Object Number 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 4 Description An account of the resource Psalms 72-73 Leaf from a Psalter https://manuscriptleaves.watzekdi.net/files/original/25fed57ed0304a1fff1093224b0ba892.pdf 89f9bc2659986d968bd56d53f87a51a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Author Author of the text (not scribe!) Stephen Langton Origin Location where the manuscript was produced England Date c. 1250 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 206 x 146 mm (148 x 105 mm) Handwriting Gothic Textualis Rotunda Material Materials of which the leaves are made Parchment Pricking and Ruling If the sheets have been pricked and ruled, try to detect the instruments that were used and the practices involved. Note any significant variations in pricking and ruling from quire to quire. (See Karen's sheet for full description) Writing begins above top line. Visible pricking holes on the upper and lower margins. Ruling lines made in plummet/lead. Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) Fol. 1r: 32 lines of gothic script text in two columns. Each entry begins with a capital ‘R’ in red ink that is written to the left of the margin in which the rest of the text is written. Followed by the ‘R’ is the appropriate Hebrew name. After the name, there is a small punctus toward the bottom of the line. After this are one or two Latin words, an additional punctus in the same manner as before, and text that varies in length throughout the page. Two larger ‘R’ initials (2-lines tall) in column b that begin on lines 12 and 21. They are blue and red respectively. Where an entry does not conclude exactly at the end of a line, various line fillers are employed that extend to the right most margin of the first column. Red paraphs and horizontal lines appear throughout the entries apparently done after the fact by the rubricator. Fol. 1v: 32 lines of gothic script text in two columns. Each entry begins with a capital ‘R’ in red ink that is written to the left of the margin in which the rest of the text is written. Followed by the ‘R’ is the appropriate Hebrew name. After the name, there is a small period toward the bottom of the line. After this period are one or two Latin words, an additional period in the same manner as before, and that varies in length throughout the page. In column a there is a 2-line ‘R’ in red ink that begins on the twenty-third line. In column b a 4-line ‘S’ in blue ink begins on the fifth. Additionally, in column b on the nineteenth line is a 2-line ‘S’ in red ink. Where an entry does not include exactly at the end of a line, various line fillers are employed that extend to the right most margin of the first column. Red paraphs and horizontal lines appear throughout the entries apparently done after the fact by the rubricator. Marginalia Fol. 1r: Located in the lower left corner is the following dealer number: 12503B305ST. Above this number is a capital “M” written in smaller font. The catalogue number is darker than the above letter, which makes one speculate that these entries were written at different times or by different hands, perhaps when they passed from one seller to the next. In extremely small font on the bottom right corner is the following entry written in pencil: MP98. Fol. 1v: A small check mark appears on the lower left corner. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Purchased from Pirages c. 2013 Object Number 5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 5 Description An account of the resource Leaf from Stephen Langton’s “Interpretation of Hebrew Names” https://manuscriptleaves.watzekdi.net/files/original/b48b369480ec50c9fc247c655b2c022e.pdf bca3e1f3718523ab189f7658e66da4fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Object Number 6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 6 Description An account of the resource Documents in English on vellum. Concerning the sale of a close by Phillipp Blake to John Booker, both husbandmen of Catherington. Good deal of ornamental penwork in the upper left corner. Date A point or period of time associated with an event in the lifecycle of the resource 1697 https://manuscriptleaves.watzekdi.net/files/original/e91000a60e26400f5921c1924458d1a7.pdf 3257a54fea6cee5cb93d4feaf13bb5d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Origin Location where the manuscript was produced To Change Later Date c. 1450 (?) Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 195 x 145 mm (100 x 80 mm) Handwriting Gothic Textualis Prescissa Material Materials of which the leaves are made Vellum (?) Pricking and Ruling If the sheets have been pricked and ruled, try to detect the instruments that were used and the practices involved. Note any significant variations in pricking and ruling from quire to quire. (See Karen's sheet for full description) No visible sign of pricking marks Light brown ruling lines, most likely done in pencil, that extend to the vertical and horizontal ends of the page; ruling lines are more visible/distinct toward the sides of the page. Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) Fol. 1r: 15 lines of script occupy the center of the page. There are five illuminated initials that begin the lines of 2, 5, 9, 11, and 14. Each initial is written in golf leaf and is framed by a slightly larger polygon that roughly corresponds to the shape of the initial. Within the polygon are backgrounds in red and blue inks; intricate white designs are located within the frames of the initial and larger polygon. The final initial contains flourishes that extend into the left margin. All of the shapes that bound the gold leaf initials are pointed/dagger-like at certain corners. These pronounced lines, corners, and curves stand in stark contrast to the simple rectangular borders of the line fillers, which contain no such embellishment. The blue ink has retained its color very well, but some portions of the various red backgrounds have faded significantly. In the case that a sentence or thought ended before the furthest right vertical ruling line, line fillers are used to extend the line to the margin. Framed in black ink, they contain red and blue backgrounds with simple gold leaf designs on top. Further intricate designs appear in white within the line filler. Line fillers appear on lines 1, 4, 8, 10, and 15. Fol. 1v: 15 lines of script in single column. There are five illuminated initials total that each comprise one line and are wider than the remaining text. Initials appear at the beginning of lines 1, 4, 6, 10, and 13. Each initial is written in golf leaf and is framed by a slightly larger polygon that roughly corresponds to the shape of the initial. Within the polygon are backgrounds in red and blue inks; intricate white designs are located within the frames of the initial and larger polygon. The second and third initials have flourishes that extend into the left margin from the framing polygon. All of the shapes that bound the gold leaf initials are pointed/dagger-like at certain corners. These pronounced lines, corners, and curves stand in stark contrast to the simple rectangular borders of the line fillers, which contain no such embellishment. In the case that a sentence or thought ended before the furthest right vertical ruling line, line fillers are used to extend the line to the margin. Framed in black ink, they contain red and blue backgrounds with simple gold leaf designs on top. Further intricate designs appear in white within the line filler. Line fillers appear on lines 3, 5, 9, and 12. There seems to be an even distribution of red and blue ink. Decoration Fol. 1r: More gold leaf zig-zag lines appear on this side. See above for more details about the layout and design of the line fillers. Fol. 1v: See mise-en-page for a brief summary of the decoration. Many of the line fillers, however, contain filled circles of gold leaf that are often surrounded by white borders of the same size or smaller white circles on either side of the gold leaf. Similar to the sharp linework of the initials’ shapes are some of the diagonal lines that appear on some of the fillers. Each line filler contains both a red background and a blue background that are divided by invisible vertical or horizontal lines. Note that these straight edges may have been accomplished by using the ruling lines as references. There seems to be no clear pattern between the gold leaf zig-zag lines and filled circles although both do appear in select line fillers. There is a tendency to craft rigid, pointed corners where lines intersect within the initials and line fillers. That being said, circles appear often within the confines of the line fillers. Marginalia Fol. 1r: In the upper right hand corner the number 27 appears twice in pencil in a modern hand. There is a nearly straight horizontal line below the top of the page that may indicate that the manuscript has suffered some sort of water damage. The first instance of 27 appears below this line in the upper right hand corner while the second instance is located above this line on the very very upper right hand corner. No other marginalia is present. Fol. 1v: None. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from John Windle c. 2014 Item #36 in Catalogue 60 (Spring 2014) Object Number 8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 8 Description An account of the resource Ms on Vellum, from a Book of Hours, Excerpt from “Song of Ezechia” in Office of the Dead, Lauds https://manuscriptleaves.watzekdi.net/files/original/b130a9969994d25209ab2ad1f44635bf.pdf dd2998309c92c7b622e42785869db13d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Object Number 9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 9 Description An account of the resource French Bible page, Book of Isaiah chapter 16-21 https://manuscriptleaves.watzekdi.net/files/original/26b3e768136064b868f0e3948729e050.pdf 8c3fee270350426e7a5a5b719a495030 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Origin Location where the manuscript was produced France Date c. 1475 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 215 x 150 mm (140 x 92 mm) Handwriting Gothic Textualis Material Materials of which the leaves are made Parchment Pricking and Ruling If the sheets have been pricked and ruled, try to detect the instruments that were used and the practices involved. Note any significant variations in pricking and ruling from quire to quire. (See Karen's sheet for full description) Visible pricking marks on the outside margin. Light brown ruling lines that extend horizontally and vertically; most likely composed in plummet or some sort of lead. Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) Fol. 1r: 31 lines of gothic text divided into two columns. Text is slightly off center with wider right margin. Script is small and compact with ample flourishes, slashes, and abbreviations. Multiple rubrications that signal psalm divisions or other sections of the text. Two initials on this page that take up two lines respectively. The one rubricated in red begins on line eighteen of the left column; the second delineated in blue occupies the eighth line of the second column of text. No additional adornment or decoration besides the rubrications and their associated abbreviations. Fol. 1v: 31 lines of gothic text divided into two columns. Text is slightly off center with wider left margin. Script is small and compact with ample flourishes, slashes, and abbreviations. Multiple rubrications that signal psalm divisions or other sections of the text. Two initials on this page that take up two lines respectively. The one rubricated in red begins on the first line of the left column; the second delineated in blue occupies the twenty-fourth line of text in the same column. A significant amount of the text in the second column is rubricated (lines 14 to 27). This may indicate a part of the psalm that is intended to be spoken aloud as a response to the religious text. No additional adornment or decoration besides the rubrications and their associated abbreviations. Punctuation Simple punctus used frequently. Significant number of forward diagonal slashes towards the conclusion of certain lines to indicate where certain words are enjambed. Marginalia Fol. 1r: In the bottom right corner the following number is written in pencil in modern hand: ST 9059-103. This is the call number that corresponds to the Pirages description of the leaf. Fol. 1v: None. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from California Book Fair Purchases in 2016. Object Number 10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 10 Description An account of the resource Psalter: Isaiah Chapter 10 (To Change Later) https://manuscriptleaves.watzekdi.net/files/original/65ba93c9086b036b5ddf6ffa367d070c.pdf 71bde1e8ef7a82168bb0e74956ada468 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Author Author of the text (not scribe!) Gregory of Tours Origin Location where the manuscript was produced France Date c. 1475 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 214 x 150 mm (140 x 93 mm) Handwriting Gothic Textualis Material Materials of which the leaves are made Parchment Pricking and Ruling If the sheets have been pricked and ruled, try to detect the instruments that were used and the practices involved. Note any significant variations in pricking and ruling from quire to quire. (See Karen's sheet for full description) Visible pricking marks on the outside margin. Light brown ruling lines that extend horizontally and vertically; most likely composed in plummet or some sort of lead. Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) Fol. 1r: 31 lines of gothic text divided into two columns. Text is slightly off center and leans towards the left margin. Script is small and compact with ample flourishes, slashes, and abbreviations. Two rubrications that divide sections of the text. Two initials on this page that take up two lines respectively. The one written in blue begins on line fifteen of the first column after two words/shorthand symbols on the previous line; the second rubricated in red occupies the twenty-second line of the second column of text and is also preceded by a similar rubrication. No additional adornment or decoration besides the rubrications and their associated abbreviations. Fol. 1v: 31 lines of gothic text divided into two columns. Text is slightly off center and leans towards the right margin. Script is small and compact with ample flourishes, slashes, and abbreviations. wo rubrications that divide sections of the text. One initial on this page; written in blue on the twenty-third line of the first column that is preceded by two words rubricated in red. No additional adornment or decoration besides the rubrications and their associated abbreviations. Punctuation Simple punctus used frequently. Significant number of forward diagonal slashes towards the conclusion of certain lines and throughout the text in general to indicate where certain words are enjambed. Marginalia Fol. 1r: None. Fol. 1v: The following number is written in the bottom right corner in pencil in modern hand: ST 9059-359. This is the dealer number that corresponds to the Pirages descriptions of their leaves. Additionally, in the bottom middle of the page a faint circle has been inscribed. The contents of this circle are illegible because they have faded significantly, but I presume that it was the selling price of the medieval leaf. Quite possibly someone may have attempted to erase it after the transaction had been finalized. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from California Book Fair Purchases in 2016. Object Number 11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 11 Description An account of the resource Psalter: Excerpt from Gregory of Tours’s Libri Historiarum (X) (To Change Later) https://manuscriptleaves.watzekdi.net/files/original/cde7a5941658b99c7c0bea3095ef70ff.pdf ee7c4c2fcb5cbe87f3cdfce2f2feff0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Origin Location where the manuscript was produced Italy Date c. 1475 (?) Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 143 x 104 mm (70 x 50 mm) Handwriting Italian Gothic Book Script Material Materials of which the leaves are made Parchment Pricking and Ruling If the sheets have been pricked and ruled, try to detect the instruments that were used and the practices involved. Note any significant variations in pricking and ruling from quire to quire. (See Karen's sheet for full description) The ruled lines on the verso side have nearly faded entirely save for a single vertical line that extends to the left margin of the text. On the recto side however, the ruling lines are much more distinct. The lines appear to have been ruled in drypoint. Script begins below top line. Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) Fol. 1r: 13 lines of text in single column. Clear ruling lines and pronounced smudging around all sides of the text. Significant amount of forward slashes throughout the text and especially towards the ends of certain lines. Initials are embellished slightly but lack further decoration (no ink or gold leaf). Compressed script. Large margins on all sides of the text. Fol. 1v: 13 lines of text in single column. Minimal spacing between successive lines with significant margins; much of the page is left blank. Significant initials and shorthand symbol at the beginning of the eight line: the Responsum abbreviation (Rx). Both of these are written in gold leaf. The capital ‘P’ initial is bordered by small blue lines on either side and in the white center of the ‘P’. No other portion of the text is written in gold leaf. Written vertically along the page is the following inscription: me.V.De. This phrase stands for Versiculum Deu. Because of its position on the page the phrase could denote a catchword, or it could indicate that one of the scribes erred and subsequently completed this portion of the text on the same page. A brown smudge appears just above this inscription. Decoration Fol. 1r: None. Fol. 1v: The only notable elements of decoration are the initials that appear on the eighth line. Burnished in gold leaf. The first symbol is the Responsum abbreviation. The second symbol i.e. the capital ‘P’ is framed by thin blue lines. Some lines have unfilled blue c’s attached to them so as to resemble branches or leaves. The inscription that is written in the bottom right corner has two symbols that are unidentifiable at the moment; could be considered decoration given the fact that it is written vertically, nearly along the right most ruling line. Marginalia Fol. 1r: The following number appears in the bottom right corner in modern hand in pencil: 09813-20. This is call number given by Pirages to identify/keep track of the leaf. Interestingly enough, this number does not contain the STI prefix like other leaves purchased from Pirages. No other marginalia is present. Fol. 1v: None. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages, 2016. (California Book Fair Purchase) Object Number 12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 12 Description An account of the resource Leaf from a Book of Hours: Lectio Septima from the Office of the Dead, Third Nocturne https://manuscriptleaves.watzekdi.net/files/original/2e410e02624c998e1c952b061f3f6e10.pdf 069a226970a0c56f8ac87123458be92f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Origin Location where the manuscript was produced France Date c. 1490 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 150 x 106 mm (90 x 56 mm) Handwriting Gothic Textualis Quadrata Material Materials of which the leaves are made Parchment Pricking and Ruling If the sheets have been pricked and ruled, try to detect the instruments that were used and the practices involved. Note any significant variations in pricking and ruling from quire to quire. (See Karen's sheet for full description) No visible signs of pricking or ruling. Mise-en-page This is how the text is presented on the page. Describe the general layout. (See Karen's sheet for full description) Fol. 1r: 17 lines of gothic text that tend slightly towards the left margin. Six initials total, all in gold ink. Three of them occupy two lines while the remainder occupy only one. The borders that circumscribe the initials alternate between blue, red, and brown in no particular order. Five rubrications total. Clear signs of correction on the twelfth and thirteenth lines where the script is much darker than surrounding portions. The script of the rubricator is much more cursive-like with light flourishes, which indicates that the scribe and rubricator were most likely not the same person. Evidently, this leaf has been torn from a larger Book of Hours as seen in the tears that are visible on the leftmost side of the page. Fol. 1v: 17 lines of gothic text that tend slightly towards the right margin. Six initials total, all in gold ink. Two of them occupy two lines while the remainder occupy only one. The borders that circumscribe the initials alternate between blue, red, and brown in no particular order. Seven rubrications total that vary in length. One small line filler on the end of the thirteenth line. It is not clear at the moment whether this line filler was employed to obscure an error on the part of the scribe or to add additional decoration to the text. The last word in the last line (dei) appears to have been corrected by a later scribe because it is significantly darker than the rest of the text. Decoration Fol. 1r: Two line initial on the first line; capital ‘O’ in brushed gold on blue background. Fine gold border around blue background. Gold flourishes within the empty space of the ‘O’ and fine fold background. Capital ‘D’ on the seventh line in brushed gold on red background. Fine gold border around background and within the empty space of the letter. Two line initial beginning on the eighth line; Capital ‘D’ in brushed gold on brown background. Fine gold border around background and an intricate floral design within the empty space of the letter. Capital ‘O’ on fourteenth line. Fine gold border around red background. Gold flourishes within the empty space of the ‘O’. Capital ‘D’ on fifteenth line. Fine gold border around brown background. Gold flourishes within the empty space of the letter. Two line initial beginning on the sixteenth line; capital ‘S’ in brushed gold on red background. Intricate gold swirls and flourishes within the empty space of the letter that resembles the slopes and curves of the typical ‘s’. Fol. 1v: Capital ‘O’ on fifth line. Fine gold border around brown background. Gold flourishes within the empty space of the ‘O’. Capital ‘D’ on sixth line. Fine gold border around blue background. Gold flourishes within the empty space of the ‘D’.Two line initial beginning on the seventh line; capital ‘S’ in brushed gold on red background. Intricate gold swirls and flourishes within the empty space of the letter that resembles the slopes and curves of the typical ‘s’. Capital ‘O’ on fourteenth line. Fine gold border around brown background. Gold flourishes within the empty space of the ‘O’. Capital ‘D’ on fifteenth line. Fine gold border around red background. Gold flourishes within the empty space of the ‘D’. Two line initial beginning on the sixteenth line; capital ‘S’ in brushed gold on blue background. Intricate gold swirls and flourishes within the empty space of the letter that resembles the slopes and curves of the typical ‘s’. The final word on the last line appears in much darker black ink than the standard of the leaf. Correction Text on the thirteenth line of the recto side towards the end is much smaller/compact and darker than the rest of the leaf. Suggests that original scribe made an error and revised accordingly, using darker ink to obscure the mistake. Similarly, on the twelfth line of the recto side the letters ‘en’ in the last word of the line are much darker. Another mistake could have been made in this place. The line filler on the thirteenth line of the verso side may also indicate that this decoration covers up an unsightly mishap. This idea is substantiated by the fact that no other line fillers are present on the leaf. Finally, the last word on the last line of the verso side is written in much darker ink. This may not indicate a correction necessarily, but it may suggest that it was at this point that one scribe’s work began and another’s concluded. Marginalia Fol. 1r: Extremely faint word or phrase that appears in the bottom right corner. The number 84 is inscribed clearly in the upper right corner. It does not appear to be written in modern hand although it is not reflective of a medieval script either. Additionally, what appears to be the number 157 is written very faintly towards the bottom-middle of the page. Fol. 1v: The following number appears in the bottom right hand corner on the page: STI10790-91. This is a call number used by Pirages to identify their manuscripts. The corresponding description is listed above. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from California Book Fair 2016. Object Number 13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 13 Description An account of the resource Book of Hours Text: Hours of the Holy Spirit, abbreviated hymns: Prime, Terce, Sext, None https://manuscriptleaves.watzekdi.net/files/original/2c7c0859a1902533899af0ee8b5d295a.pdf 3bae5b55730b9967fe55b3615cca8e7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 148 x 80 mm (118 x 59 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 16 Description An account of the resource Northern Italian Book of Hours Text: Office of the Seven Sorrows of the Blessed Virgin Mary https://manuscriptleaves.watzekdi.net/files/original/c853f9d12efa7b5da25a860c946cb643.pdf b0cf8ed8dfff374fc845aeeca37af7f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 19 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 182 x 129 mm (128 x 92 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 19 Description An account of the resource Leaf from a Bible, France, mid 13th century https://manuscriptleaves.watzekdi.net/files/original/2303433678dedc03fa4e518d25817f0b.pdf 6966282ab362bc14f5777f37b8e2ba79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 20 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 156 x 107 mm (92 x 57 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 20 Description An account of the resource Leaf from a French Book of Hours, 15th c. https://manuscriptleaves.watzekdi.net/files/original/a012ead0b5abb35dac109354f0b7855d.pdf c251503755afb1ef15218798b02a5778 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 21 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 332 x 236 mm (222 x 160 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 21 Description An account of the resource Leaf from a liturgical manuscript with numerous initials. Italy, 15th c. https://manuscriptleaves.watzekdi.net/files/original/8c3fe74deeb513a779741d07119f5686.pdf 11d63f07d622ab1ce6a6cfdcfc166c1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 22 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 130 x 96 mm (67 x 68 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 22 Description An account of the resource Leaf from a fine Book of Hours with inhabited borders, Northern France ca. 1460s https://manuscriptleaves.watzekdi.net/files/original/a6fbec7c66079e00587cdc9ba24a0f38.pdf aaf256154c2309c8d92321f83fad023e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 23 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 344 x 239 mm (237 x 177 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 23 Description An account of the resource Leaf from a Carta Executoria Spain early 16th. C https://manuscriptleaves.watzekdi.net/files/original/fe77ce3927d641de4b9c50e137aecd82.pdf 16ec6774e01ee508cff37676240648f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 24 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 134 x 90 mm (72 x 62 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 24 Description An account of the resource Book of Hours leaf NE France (probably Arras) ca. 1520 https://manuscriptleaves.watzekdi.net/files/original/64ce5c6b2fa8f91a2b1131aca8c28de5.pdf 885fdcf0121dc3cf1f2861d7b8f1fe33 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 25 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 100 x 76 mm (61 x 43 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 25 https://manuscriptleaves.watzekdi.net/files/original/80e55118f228c50e9a945e016c1e93b0.pdf b03b601cd6116e5467f09b4ba1411a6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 1999. Object Number 26 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 123 x 91 mm (66 x 43 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 26 https://manuscriptleaves.watzekdi.net/files/original/fe48aada659db12671ef3475fed5bf1c.pdf b7f81ee918580c483ab2b6d1368bdb64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 27 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 122 x 86 mm (78 x 51 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 27 https://manuscriptleaves.watzekdi.net/files/original/cad5cd65e8074e39e5c9c45b54e8cd79.pdf 4e6948e06b4474fe0f5d3798d1f8d2e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 28 Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 157 x 122 mm (134 x 86 mm) Language Latin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 28 https://manuscriptleaves.watzekdi.net/files/original/67688282cde80519d10d8509e84d3f33.pdf 84f1920d14231c525ab37af301f01a91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 335 x 263 mm Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 29 https://manuscriptleaves.watzekdi.net/files/original/b839b39dcb2764c2c974623f6b5220df.pdf 80df7288678dc2f165a6463aacd12a1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript Leaves Collection Manuscript Leaf A (handwritten) page from a medieval manuscript. Provenance and History Origin of the manuscript/approximation of when the manuscript may have been produced Acquired from Pirages on January 31, 2019. Object Number 30 Language Latin Dimensions Give the average dimensions (height by width) of the entire leaf as a whole in millimeters Then give in parenthesis the dimensions (height by width!) of the written space (does this include illustrations?) 287 x 190 mm (192 x 124 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MSS 30